While Moneyball is punctuated by uncertainty, at its core it is still tethered to the inherently spiritual relationship the bandmates have not only with each other, but with the world that surrounds them. Recorded over a six month period in their Long Beach studio, the ten songs that make up the record find cohesion “not just in the art but the physical space”: the band’s self-made studio as well as their longstanding friendships. Produced by Reeves and mixed by Phil Ek (Modest Mouse, Duster, Fleet Foxes), you can begin to pick up the separate stylings and personalities of the band members by the songs they independently write (five out of the six band members have vocal and lyrical credits on the record) before bringing to the band at large, where the songs often grow into new forms all together. Despite this individual approach to songwriting, they describe each other as “branches of the same core life” whose colliding influences and experience all bleed into the songs. It’s their devotion to all forms of art that has lead to the band as the centerpiece. Together and apart, they watch films, cook and listen to a breadth of musical genres spanning ambient, slowcore, experimental folk, alt country, jazz, southern rock and all forms of dance music. These disparate influences converge on Moneyball, which shapeshifts and oscillates between alternative country, sharply hewn indie rock and hints of dissonant ambience, all while still sounding like a band who both speak their own private language and translate it into something universal.
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